Mobile : painting as a practice of peregrination

dc.contributor.authorDjaballah, Anne-Laure
dc.contributor.supervisorDahle, Dagmar
dc.date.accessioned2015-01-28T22:12:24Z
dc.date.available2015-01-28T22:12:24Z
dc.date.issued2014
dc.degree.levelMastersen_US
dc.description.abstractWalking is a practice which parallels and criss-crosses my painting practice. Each mutually informs the other, creating a mobile with which I think about and experience the world. Before seeking to elucidate the knowledge that has developed therein, I reflect on the resistance visual art places on language, and consider the difference between art theory and a theory of practice. I delineate foundational ideas pertaining to the experience of the creative process and the studio, and link these thoughts to aspects of walking. The appendix contains a complete reproduction of the pages of a publication made to accompany my thesis exhibition. This document constitutes the crux of my work. It is a compendium of fragments; stories, questions, images and quotes pertaining to my studio practice. In both form and style, it seeks to communicate authentically the aspects of my practice that refuse straightforward written definition.en_US
dc.identifier.urihttps://hdl.handle.net/10133/3624
dc.language.isoen_CAen_US
dc.proquest.subject0357en_US
dc.proquestyesYesen_US
dc.publisherLethbridge, Alta. : University of Lethbridge, Dept. of Arten_US
dc.publisher.departmentDepartment of Arten_US
dc.publisher.facultyFine Artsen_US
dc.relation.ispartofseriesThesis (University of Lethbridge. Faculty of Fine Arts)en_US
dc.subjectpaintingen_US
dc.subjectwalkingen_US
dc.subjectinstallationen_US
dc.titleMobile : painting as a practice of peregrinationen_US
dc.typeThesisen_US
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