Alternative resources for theatre: 3D printing, woolen felt and gelatin adapted to produce The kiss of blood: developing alternate techniques to implement renewable, biodegradable, and local resources to decrease the carbon footprint

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dc.contributor.authorTraughber Simon, Carla
dc.contributor.authorUniversity of Lethbridge. Faculty of Fine Arts
dc.contributor.supervisorWasilewski, Julia
dc.date.accessioned2023-04-21T15:31:49Z
dc.date.available2023-04-21T15:31:49Z
dc.date.issued2022
dc.degree.levelMastersen_US
dc.description.abstractAn Evening at the Grand Guignol 2022 was presented at the University of Lethbridge in the spring of 2022. Three short plays were presented to fulfill the vision of Mia Van Leeuwen. Van Leeuwen directed the production as a whole and the final play, The Masque of the Red Death. Jay Whitehead directed the opening show, The Lighthouse Keepers. The second show, The Kiss of Blood, was directed initially by van Leeuwen and subsequently completed under the direction of Justin A. Blum. Blum was familiar with the work. The costumes and special effects for The Kiss of Blood were my assignments. Designs for The Kiss of Blood were facilitated by my research which focused on manufacturing procedures, including digital manufacturing, gelatin moulds, and woollen felt. A priority for this research was the utilization of local and sustainable resources to minimize our carbon footprint.en_US
dc.identifier.urihttps://hdl.handle.net/10133/6466
dc.language.isoen
dc.proquest.subject0465
dc.proquest.subject0640
dc.proquest.subject0389
dc.proquestyesYesen_US
dc.publisherLethbridge, Alta. : University of Lethbridge, Dept. of Drama
dc.publisher.departmentDramaen_US
dc.publisher.facultyFine Artsen_US
dc.relation.ispartofseriesThesis (University of Lethbridge. Faculty of Fine Arts)
dc.subjecttheatrical special effects
dc.subjectalternative materials for theatre production
dc.subjectlocally sourced materials
dc.subjectwool
dc.subjectrenewable bioplastics
dc.subject3D printing
dc.subjectgelatin prosthetics
dc.subjecttheatrical blood
dc.subjectcostume design
dc.subjectdigital manufacturing
dc.subjectsustainable resources
dc.subjectTheaters--Special effects
dc.subjectTheaters--Special effects--Equipment and supplies
dc.subjectTheaters--Blood effects
dc.subjectTheaters--Blood effects--Equipment and supplies
dc.subjectCostume design
dc.subjectCostume design--Equipment and supplies
dc.subjectSustainability
dc.subjectThree-dimensional printing
dc.subjectGelatin
dc.subjectBiodegradable products
dc.subjectWool
dc.subjectTheatrical prosthetic makeup
dc.subjectBiodegradable plastics
dc.subjectCollege theater--Alberta--Lethbridge--21st century
dc.subjectThe kiss of blood (Play ; 2022)
dc.subjectDissertations, Academic
dc.titleAlternative resources for theatre: 3D printing, woolen felt and gelatin adapted to produce The kiss of blood: developing alternate techniques to implement renewable, biodegradable, and local resources to decrease the carbon footprint
dc.typeThesisen_US
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