Desdemona, Juliet and Constance meet the third wave

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dc.contributor.authorScott, Shelley
dc.date.accessioned2021-06-19T01:54:19Z
dc.date.available2021-06-19T01:54:19Z
dc.date.issued2006
dc.descriptionAuthor original manuscript (pre-print)en_US
dc.description.abstractIn this article, the author explores a product of Canadian theatre, the play Goodnight Desdemona (Good Morning Juliet) by Ann-Marie MacDonald, and demonstrates how its continuing popularity may be due to an engagement with sexual politics and postmodernism the author considers fundamental to third-wave feminism.en_US
dc.identifier.citationScott, S. (2006). Desdemona, Juliet and Constance meet the third wave. Resources for Reminist Research, 31(3-4), 29-41.en_US
dc.identifier.urihttps://hdl.handle.net/10133/5909
dc.language.isoen_USen_US
dc.publisherO.I.S.E.en_US
dc.publisher.departmentDepartment of Dramaen_US
dc.publisher.facultyFine Artsen_US
dc.publisher.institutionUniversity of Lethbridgeen_US
dc.subjectSexual politicsen_US
dc.subjectDesdemona
dc.subjectJuliet
dc.subjectConstance
dc.subject.lcshMacDonald, Ann-Marie, 1958-
dc.subject.lcshPostmodernism
dc.subject.lcshThird-wave feminism
dc.subject.lcshTheater--Canada
dc.titleDesdemona, Juliet and Constance meet the third waveen_US
dc.typePreprinten_US
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