Desdemona, Juliet and Constance meet the third wave

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O.I.S.E.

Abstract

In this article, the author explores a product of Canadian theatre, the play Goodnight Desdemona (Good Morning Juliet) by Ann-Marie MacDonald, and demonstrates how its continuing popularity may be due to an engagement with sexual politics and postmodernism the author considers fundamental to third-wave feminism.

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Author original manuscript (pre-print)

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Scott, S. (2006). Desdemona, Juliet and Constance meet the third wave. Resources for Reminist Research, 31(3-4), 29-41.

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