The roots of Cree drama

dc.contributor.authorManossa, Geraldine
dc.contributor.authorUniversity of Lethbridge. Faculty of Arts and Science
dc.contributor.supervisorWomack, Craig
dc.date.accessioned2007-05-13T20:28:43Z
dc.date.available2007-05-13T20:28:43Z
dc.date.issued2002
dc.degree.levelMasters
dc.descriptionv, 107 leaves ; 28 cm.en
dc.description.abstractThis study examines the foundation of contemporary Cree performance, tracing its existence to traditional Cree narratives. Contained within traditional Cree stories is the trickster, Wasakaychak. These oral stories are shared collectively, providing the community with relevant cultural knowledge. The thesis concludes that contemporary Cree playwrights and performers such as Shirley Cheechoo and Margo Kane maintain the roles of traditional storytellers because their work informs its audience about the history of the land and also comments on the state of the community. This study further demonstrates how the mythological character, Wasakaychak, remains an active part of Cree society by examining his significance within Tomson Highway's plays, The Rez Sisters and Dry Lips Oughta Move to kapuskasing.en
dc.identifier.urihttps://hdl.handle.net/10133/227
dc.language.isoen_USen
dc.publisherLethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2002en
dc.publisher.departmentDepartment of Native American Studies
dc.publisher.facultyArts and Science
dc.relation.ispartofseriesThesis (University of Lethbridge. Faculty of Arts and Science)en
dc.subjectCree -- Drama -- History and criticismen
dc.subjectCree -- Social life and customsen
dc.subjectOral traditionen
dc.subjectCree -- Folkloreen
dc.subjectDissertations, Academicen
dc.titleThe roots of Cree dramaen
dc.typeThesisen
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