Working from the body : subjectivity and the artistic process

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dc.contributor.authorEspezel, Amanda
dc.contributor.supervisorDahle, Dagmar
dc.date.accessioned2013-04-16T00:55:21Z
dc.date.available2013-04-16T00:55:21Z
dc.date.issued2011
dc.degree.levelMasters
dc.descriptionvi, 56 leaves : col. ill. ; 29 cmen_US
dc.description.abstractThis paper is about the subjectivity of the body, and what this means in terms of my artistic practice. Composed in two sections, the first section addresses issues of personal history as content, the use of language in relationship to visual art, and experimental language as a tool to communicate visceral knowledge. I discuss the feminist critique of cultural, artistic and academic hierarchies, and explore how these themes inform my work. The second section examines the body of work I have developed within the MFA program. I explain the artists who have influenced my development, and give specific examples, whenever possible, of formal and conceptual influences. I use images of my own paintings, studio, and exhibitions to illustrate the progression of my practice. In conclusion, I contemplate the upcoming thesis exhibition, and explain my intentions regarding its completion.en_US
dc.identifier.urihttps://hdl.handle.net/10133/3246
dc.language.isoen_USen_US
dc.publisherLethbridge, Alta. : University of Lethbridge, Dept. of Art, c2011en_US
dc.publisher.departmentDepartment of Arten_US
dc.publisher.facultyArts and Scienceen_US
dc.relation.ispartofseriesThesis (University of Lethbridge. Faculty of Arts and Science)en_US
dc.subjectHuman figure in arten_US
dc.subjectPaintingen_US
dc.subjectArt, Modernen_US
dc.subjectArt -- Exhibitionsen_US
dc.subjectInstallations (Art)en_US
dc.subjectDissertations, Academicen_US
dc.titleWorking from the body : subjectivity and the artistic processen_US
dc.typeThesisen_US
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