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dc.contributor.author Taylor, Aaron
dc.date.accessioned 2018-05-31T16:29:50Z
dc.date.available 2018-05-31T16:29:50Z
dc.date.issued 2016
dc.identifier.citation Taylor, A. (2016). Blind spots and mind games: Performance, motivation, and emotion in the films of Stanley Kubrick. Velvet Light Trap, 77, 5-27. doi:10.7560/VLT7702 en_US
dc.identifier.uri https://hdl.handle.net/10133/5110
dc.description This is a pre-copyedited version of an article accepted for publication in Velvet Light Trap following peer review. The definitive publisher-authenticated version is available through the University of Texas Press en_US
dc.description.abstract The acting style in Stanley Kubrick’s films can be regarded as a symptom of the “other minds problem” and its ramifications for the cinema. Performances in Kubrick’s work reveal the complications involved in positing narration as a rhetorical system with a priori claims to direct and accurate evaluative knowledge of characters. For Kubrick, narrative discourse is not a systemic correlative for authorial mastery over characters, and so, his actors help establish narrational patterns that collide with the intricacies of fictional subjectivities. The performative techniques that complicate our ability to conceptualize and engage with characters’ emotions are itemized with the aim of precisely conceptualizing the director’s unique approach to performance. These strategies include strategic improvisation, excessive ostensiveness, expressively neutral action, and artificially immobilized expressions. Such techniques allow us to appreciate Kubrick’s “skeptical classicism”: a mode of narration whereby we negotiate various avenues and impediments surrounding our longing for knowledge of an other’s mind. en_US
dc.language.iso en_US en_US
dc.publisher University of Texas Press en_US
dc.subject Stanley Kubrick en_US
dc.subject Acting style en_US
dc.subject Performance techniques en_US
dc.subject Strategic improvisation en_US
dc.subject Excessive ostensiveness en_US
dc.subject Expressively neutral action en_US
dc.subject Artificially immobilized expression en_US
dc.title Blind spots and mind games: performance, motivation, and emotion in the films of Stanley Kubrick en_US
dc.type Article en_US
dc.publisher.faculty Arts and Science en_US
dc.publisher.department New Media Department en_US
dc.description.peer-review Yes en_US
dc.publisher.institution University of Lethbridge en_US


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