Embodiment as a healing process: Native American women and performance

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dc.contributor.authorScott, Shelley
dc.date.accessioned2021-07-02T19:33:31Z
dc.date.available2021-07-02T19:33:31Z
dc.date.issued2009
dc.descriptionAuthor original manuscript (pre-print)en_US
dc.identifier.citationScott, S. (2009). Native women and theatre: Embodiment as a healing process. In S. E. Wilmer, (Ed.), Native American Performance and Representation (pp. 123-135.) Arizona University Press.en_US
dc.identifier.urihttps://hdl.handle.net/10133/5938
dc.language.isoen_USen_US
dc.publisherArizona University Pressen_US
dc.publisher.departmentDepartment of Dramaen_US
dc.publisher.facultyArts and Scienceen_US
dc.publisher.institutionUniversity of Lethbridgeen_US
dc.subjectA path with no moccasinsen_US
dc.subjectNo home but the hearten_US
dc.subjectPrincess Pocahontas and the blue spotsen_US
dc.subjectEmbodiment
dc.subjectHealing
dc.subject.lcshCheechoo, Shirley--Criticism and interpretation
dc.subject.lcshJones, Rosalie May, 1941- --Criticism and interpretation
dc.subject.lcshMojica, Monique, 1954- --Criticism and interpretation
dc.subject.lcshAutobiographical drama
dc.subject.lcshIndigenous women--Drama
dc.titleEmbodiment as a healing process: Native American women and performanceen_US
dc.typePreprinten_US
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