<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-21T12:15:20.986360200Z</responseDate><request verb="GetRecord" identifier="oai:opus.uleth.ca:10133/3574" metadataPrefix="dim">https://opus.uleth.ca/server/oai/request</request><GetRecord><record><header><identifier>oai:opus.uleth.ca:10133/3574</identifier><datestamp>2019-02-07T06:13:01Z</datestamp><setSpec>com_10133_3346</setSpec><setSpec>com_10133_1</setSpec><setSpec>com_10133_296</setSpec><setSpec>col_10133_3349</setSpec><setSpec>col_10133_298</setSpec></header><metadata><dim:dim xmlns:dim="http://www.dspace.org/xmlns/dspace/dim" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://www.dspace.org/xmlns/dspace/dim http://www.dspace.org/schema/dim.xsd">
   <dim:field mdschema="dc" element="contributor" qualifier="supervisor">Visentin, Peter</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author">Robinson, Airdrie Kalyn</dim:field>
   <dim:field mdschema="dc" element="contributor" qualifier="author">University of Lethbridge. Faculty of Fine Arts</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="accessioned">2014-10-28T22:02:15Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="available">2014-10-28T22:02:15Z</dim:field>
   <dim:field mdschema="dc" element="date" qualifier="issued">2014</dim:field>
   <dim:field mdschema="dc" element="identifier" qualifier="uri">https://hdl.handle.net/10133/3574</dim:field>
   <dim:field mdschema="dc" element="description" qualifier="abstract" lang="en_US">In 1782, Italian violinist Giovanni Battista Viotti performed in the Concerts&#xd;
spirituels of Paris, causing a sensation with his new style of playing, deemed “plein de&#xd;
feu, plein d’audace,” “full of fire, full of audacity.” This paper discusses Viotti’s style in&#xd;
the context of his use of the Tourte bow and “modernized” model of Stradivarius violin.&#xd;
Viotti’s chief disciples were French violin virtuosi Rodolphe Kreutzer, Pierre Rode and&#xd;
Pierre Baillot. As inaugural professors of the Paris Conservatoire, they championed&#xd;
Viotti's musical aesthetic and created pedagogical materials enabling others to emulate it.&#xd;
In 1803, Kreutzer, Rode and Baillot collaborated to produce Méthode de Violon, a&#xd;
technique manual expounding Viotti’s style and establishing a French Violin School of&#xd;
performance practice. This thesis identifies idiomatic signature elements of this style in&#xd;
the Méthode and comments upon the significance of the Conservatoire’s standardization&#xd;
of instruction, both of which prove foundational to the legacy of the French Violin&#xd;
School.</dim:field>
   <dim:field mdschema="dc" element="language" qualifier="iso" lang="en_US">en_CA</dim:field>
   <dim:field mdschema="dc" element="publisher" lang="en_US">Lethbridge, Alta. : University of Lethbridge, Dept. of Music</dim:field>
   <dim:field mdschema="dc" element="publisher" qualifier="faculty" lang="en_US">Fine Arts</dim:field>
   <dim:field mdschema="dc" element="publisher" qualifier="department" lang="en_US">Department of Music</dim:field>
   <dim:field mdschema="dc" element="relation" qualifier="ispartofseries" lang="en_US">Thesis (University of Lethbridge. Faculty of Fine Arts)</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Méthode de violon</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">Giovanni Battista Viotti</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">French Violin School</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">technique</dim:field>
   <dim:field mdschema="dc" element="subject" lang="en_US">violin instruction</dim:field>
   <dim:field mdschema="dc" element="subject">Violin -- Instruction and study -- 19th century</dim:field>
   <dim:field mdschema="dc" element="subject">Violin -- Bowing -- 19th century</dim:field>
   <dim:field mdschema="dc" element="subject">Violin -- Methods -- 19th century</dim:field>
   <dim:field mdschema="dc" element="subject">Violin music -- 19th century -- History and criticism</dim:field>
   <dim:field mdschema="dc" element="subject">Viotti, Giovanni Battista, 1755-1824</dim:field>
   <dim:field mdschema="dc" element="subject">Kreutzer, Rodolphe, 1766-1831</dim:field>
   <dim:field mdschema="dc" element="subject">Rode, P. (Pierre), 1774-1830</dim:field>
   <dim:field mdschema="dc" element="subject">Baillot, Pierre Marie François de Sales, 1771-1842</dim:field>
   <dim:field mdschema="dc" element="subject">Violin -- Performance -- France -- History</dim:field>
   <dim:field mdschema="dc" element="subject">Conservatories of music -- France -- Paris -- 19th century</dim:field>
   <dim:field mdschema="dc" element="subject">Dissertations, Academic</dim:field>
   <dim:field mdschema="dc" element="title" lang="en_US">"Plein de feu, plein d'audace, plein de change" : examining the role of the Méthode de violon in the establishment of the French Violin School</dim:field>
   <dim:field mdschema="dc" element="type" lang="en_US">Thesis</dim:field>
   <dim:field mdschema="dc" element="degree" qualifier="level">Masters</dim:field>
   <dim:field mdschema="dc" element="proquest" qualifier="subject" lang="en_US">0413</dim:field>
   <dim:field mdschema="dc" element="proquest" qualifier="subject" lang="en_US">0522</dim:field>
   <dim:field mdschema="dc" element="proquestyes" lang="en_US">Yes</dim:field>
   <dim:field mdschema="others" element="access-status">open.access</dim:field>
</dim:dim></metadata></record></GetRecord></OAI-PMH>