dc.contributor.supervisor |
Kavanagh, Mary |
|
dc.contributor.author |
Stringam, Sarah Lisbeth |
|
dc.contributor.author |
University of Lethbridge. Faculty of Fine Arts |
|
dc.date.accessioned |
2017-11-10T23:03:36Z |
|
dc.date.available |
2017-11-10T23:03:36Z |
|
dc.date.issued |
2017 |
|
dc.identifier.uri |
https://hdl.handle.net/10133/4979 |
|
dc.description.abstract |
How Can I Miss You if I Don’t Know You’re There? is an MFA thesis project that addresses the inevitable contradictions and tensions inherent in human/animal relationships. This work is a series of sculptural pieces installed using the tropes of museological methods of display and classification. Concentrating on invertebrates, I engage concepts like empathy, care and mothering in the context of these vilified subjects, contrary to the dominant dualisms characterized by Western, Christian, capitalist culture that hierarchize species. As I explore my entanglement with nonhuman others, attempts to convey affection blur with acts of unintentional subjugation as I implicate myself in the precarious balance between care and harm with respect to the use of living and dead organisms. |
en_US |
dc.language.iso |
en_US |
en_US |
dc.publisher |
Lethbridge, Alta. : Universtiy of Lethbridge, Department of Art |
en_US |
dc.relation.ispartofseries |
Thesis (University of Lethbridge. Faculty of Fine Arts) |
en_US |
dc.subject |
animals in art |
en_US |
dc.subject |
human/animal relationships |
en_US |
dc.subject |
invertebrates |
en_US |
dc.subject |
liminal space |
en_US |
dc.subject |
non-human organisms on display |
en_US |
dc.subject |
species hierarchies |
en_US |
dc.title |
How can I miss you if I don't know you're there? |
en_US |
dc.type |
Thesis |
en_US |
dc.publisher.faculty |
Fine Arts |
en_US |
dc.publisher.department |
Department of Art |
en_US |
dc.degree.level |
Masters |
en_US |
dc.proquest.subject |
0357 |
en_US |
dc.proquest.subject |
0394 |
en_US |
dc.proquestyes |
Yes |
en_US |
dc.embargo |
No |
en_US |