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dc.contributor.supervisor Hanson, Nicholas
dc.contributor.author Legg, Andrew Steven
dc.contributor.author University of Lethbridge. Faculty of Fine Arts
dc.date.accessioned 2015-06-10T18:26:35Z
dc.date.available 2015-06-10T18:26:35Z
dc.date.issued 2013
dc.identifier.uri https://hdl.handle.net/10133/3692
dc.description Pages 2-5 bound out of order. en_US
dc.description.abstract In the The Neverending Story, a novel by Michael Ende adapted for the stage by David S. Craig, the child protagonist reads a fantastical world into existence. When directing and puppet designing a theatre production of The Neverending Story at the University of Lethbridge in February of 2013,1 sought to populate that world using mundane objects and character situations from the real world, repurposed into object puppets and animated by actor-puppeteers. In this paper, I assess the conception, design and performance of puppets in my production of The Neverending Story. en_US
dc.language.iso en_CA en_US
dc.publisher Lethbridge, Alta. : University of Lethbridge, Dept. of Theaatre and Dramatic Arts, 2013 en_US
dc.relation.ispartofseries Thesis (University of Lethbridge. Faculty of Fine Arts) en_US
dc.subject Puppet theatre -- Alberta -- Lethbridge en_US
dc.subject Puppet making en_US
dc.subject Puppets en_US
dc.subject Drama en_US
dc.subject Stage adaptations en_US
dc.title Imagining fantastica : the direction and puppet design of The Neverending Story en_US
dc.type Thesis en_US
dc.publisher.faculty Fine Arts en_US
dc.publisher.department Department of Theatre and Dramatic Arts en_US
dc.degree.level Masters en_US
dc.degree.level Masters
dc.proquestyes No en_US
dc.embargo No en_US


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